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Going paperless as a conductor: iPad + forScore

One of the advantages of being half classical musician, half tech nerd is that I’ve actively enjoyed being forced to grapple with new technologies as a result of the pandemic. In order to keep doing some version of what we do, musicians have adapted to make use of video-conferencing, audio recording, and pretty much anything […]

Delighted to announce

Here’s a piece of virtue-signalling: I haven’t been on social media during Lent. I’m not a great one for Lenten disciplines – my self-control reserves are usually depleted after a week or so – but this one’s been surprisingly easy. I’ve not found myself with cravings to push red notification buttons until they turn blue, […]

Why do I want ‘work artefacts’?

I sometimes wonder if the reason it’s difficult for freelance live performers to motivate themselves lies in the lack of a tangible product of the work. A sculptor can point to their work with a certain satisfaction and say: there, I did that, that was the direct result of my work. An author can look […]

Learning curves: on being bad at things

It’s been interesting to see the ways in which musicians and other artists have been coping with the present situation – one which is, as we are constantly reminded, unprecedented. I know several who launched energetically into diversification almost as soon as the first lockdown was pronounced, pivoting as much of their activity as they […]

Mantras

Lean back when you want something. When I was a teenager, I was fascinated by the idea of lucid dreams. In a lucid dream, you are aware that you are dreaming; you acknowledge the unreality of your situation, but you are at peace with it, and can even exert a certain degree of control. Most […]

Round-up: Pods, books, and music that helped make 2020 less, well, 2020

As 2020 staggers to its conclusion, everything feels a little apocalyptic. New mutant viral strains, hiding in plain sight, out to get us. Brexit, heralding a future in which we in the UK will either mightily prosper or fall into ignominy, with seemingly nothing in between. It looks increasingly likely that, by March, most musicians […]

An A.I. attempts to rewrite Thomas Tallis

Jukebox is a type of neural net – an network of artificial nodes which is ‘trained’ on a series of data, and can then be taught to use this data to generate new strings. These artificial intelligence networks have been used to create unique images, poetry, scripts, and music. Essentially, they work from one data-point […]

Book Notes: The Beat Stops Here

It is a truism that conducting can’t be learned from a book. I don’t actually think there are any books out there that purport to be able to teach conducting in complete isolation from actual experience in front of a group of musicians. But I’ve often found books on conducting helpful in clarifying ideas, or […]

I’m dreaming of a white…carol-book

Going from being the centre of attention on the podium, everyone’s breath waiting on your slightest movement, to once more being just another small box in the corner of someone’s screen, is bruising for the usually well-nourished conducting ego. After a precious couple of months back in action this Autumn, November’s supplementary lockdown heralded a […]

Will ‘design thinking’ save classical music?

I recently happened on an online webinar series hosted by the Young Classical Artists Trust (YCAT), entitled ‘Introduction to Design Thinking for Musicians‘. Now, this is sort of thing is perfect clickbait for me. ‘Design Thinking’ sounds like a cool piece of Silicon Valley tech-speak – and we can use it as musicians? Sign me […]

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