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Will ‘design thinking’ save classical music?

I recently happened on an online webinar series hosted by the Young Classical Artists Trust (YCAT), entitled ‘Introduction to Design Thinking for Musicians‘. Now, this is sort of thing is perfect clickbait for me. ‘Design Thinking’ sounds like a cool piece of Silicon Valley tech-speak – and we can use it as musicians? Sign me […]

Why I don’t like listening to music (sometimes)

I sometimes beat myself up a little for not listening to as much music as I should. After all, it’s my livelihood, and my vocation – surely I should be spending a considerable portion of my time listening to it. And yet, I will often just…choose not to. I think at least part of the […]

A new creative arms race?

Cultural commentators seem largely to fall into one of two camps at the moment. The first camp sees an opportunity to ‘build back better’. From the desolate rubble of 2020’s creative landscape, a new, fairer, more diverse, less stuffy artistic realm can be built, they say. We should frame our current situation as an opportunity, […]

Consumption anxiety

Every now and then, I have a worrying thought, and it takes this form: is there a serious imbalance between the amount I’m creating, and the amount I’m consuming? To put it another way, I’m worrying about the ratio of things that I contribute to the world to things that I take from it. I […]

Thematic concert programmes: worth the hassle?

Conductors…do not always know how to shape a meaningful whole out of smaller pieces…We often program according to some vague theme or chronological order, perhaps without real thought to or justification for our choices. I feel, as they say, seen. The themed programme is a staple of choral concerts the world over, and yet it […]

Stop making the economic case for the arts

Arts funding is in the news again. The government’s announcement of a Culture Recovery Fund has prompted a round of online discussion of the place of the taxpayer in subsidising culture. It’s not hard to imagine that a feeding frenzy will soon be upon us, with arts organisations and venues gearing up to compete for […]

The need for praise

When you’re in training for something, it’s common to receive fairly regular doses of positive reinforcement. Messages of congratulation on a job well done, a pat on the back on a challenge overcome. Praise, when carefully administered by teachers or peers, is a powerful incentive – it’s a feedback loop that helps keep us learning. […]

Creative portfolios: diversifying against risk

I recently made my first, tentative foray into the stock market. I know very little about stocks and shares, but what I have managed to glean so far is this: diversification helps inoculate against risk. Diversifying your holdings, by spreading them out across multiple kinds of investment or country or genre or ‘asset class’, means […]

Diversifying repertoire: some practical considerations

In 2018, I set myself the challenge of programming a week of daily services, for my choir at Christ Church Cathedral, which would feature only music by women. The hope was that we’d find some music to introduce into our core repertoire. In this post I write about why I thought that was worth doing, […]

Musical leadership without music

The role of conductor changed abruptly in mid-March of this year. For me, it’s thrown the nature of musical leadership into the spotlight: how can those of us with responsibility for musical direction maintain this responsibility when a direct musical relationship isn’t possible? The business world tells us that the companies that do well are […]

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